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The dissolve, in particular, has many functions. It is used as a simple transition from one scene to the next, it is used to show a change in time, it is used to slow down the narration or to change tone, and it is used among shots in a montage (Cutting, Brunick, & DeLong, 2011b; Monaco, 1977). Notice, these noncuts occur commonly at the beginning of the setup, where there may be an early montage sequence. They then decline by its latter half (and with no significant change across the lock-in) and through the complication when the narration progresses and halts or slowdowns might be disruptive. They rise again during the development, where again the syuzhet often crosses between narrative threads, (0.80 noncuts per bin in the complication versus 1.08 in the development, t(8) = 2.78, p d = 1.97. Their number then declines to its lowest relative frequency during the climax, where fades and dissolves would impede the action.Footnote 8 Finally, the frequency of noncuts climbs during the epilog, when diegetic social order is typically reestablished and narrative threads are resolved.
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